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Chongqing Night
May 2001
The Labyrinth

Chongqing Peninsula at Sunset
Chongqing Peninsula at Sunset

It was past midnight when our bus arrived back at Chongqing. We had no intention of booking any accommodation, no appointment in the city except to leave it just after sunrise, on a boat that would take us along the throat of China, the great Yangtse River. A traveller without intentions may experience the quintessence of the sport, that motor at the root of human nature that has no expression except in the primal directive: To Go. It is the forgotten urge that forced a species to leave the savannahs and become nations, the embarrassment of these civilisations that attempt to tame the compulsive wandering of humankind, it is the only answer to which those who purchase their first plane ticket can turn when questioning the self as to wherefore proceedeth I?

Standing outside the long distance bus station at night, right across from the train station we'd arrived at just a few days beforehand, we were thankful to have the chance to explore the city again. Our first impressions of Chongqing had been most favourable, an unusual maze of streets leading down to the rivers which course up the sides of the peninsula to their coming together at its tip. Unfortunately, our having been cheated mercilessly when buying ferry tickets had soured the occasion; with renewed enthusiasm and the unique opportunity to be able to see an unfamiliar city at night, we hoped to make a better acquaintance with this city. We made the decision to taxi down to the docks, store our bags, and then set out on foot. We waved away the taxi with the trio of young xiaojies calling out at us, and got into an empty cab.

Metropolitan Chongqing is an old city on a small mountainous peninsula. Actually, the city in its entirety is enormous, and the Chongqing administrative zone is the size of a small province. But its core at the convergence of rivers is a nest of homes, alleys, staircases, old roads and huts of black stone. Chongqing is China's labyrinth where monsters may dwell, the city at night is all shadows and noise, the steam from old stoves on the backs of carts, dim lanterns and footsteps that seem to pass close by and turn away in fright. Set atop this old mazeway is a startlingly modern city of glass and lights. We were told by the taxi driver who took us close to the wharf that the city had modelled itself after Hong Kong, and that in just five years skyscrapers had mushroomed from the rock, that money had started to pass through the city like rats, that the wealthy had begun to navigate the streets in sleek black cars, searching out opportunities to nudge cash from stone.

Just a short way from the dock, we left our bags in an expensive luggage room in a cheap hotel, and walked outside into the Chongqing night. The air was warm and organic, the wet asphalt sparkled under the amber streetlamps, and we set out along a road that would lead us up past the temple we'd visited just days before and back into the central city area. The way seemed straightforward, the small map we were checking by the glow of the streetlights we passed beneath was a tad oversimplified, but appeared to verify our direction. We decided to first head for a cafe mentioned in the guidebook, a 24 hour dive close to the Liberation Monument where coffee and grubby jazz might keep us awake for a few hours, before we could escape to one of the central parks to watch the sun rise over the Yangtse. Clogged with old boats, we imagined the splendid tangerine cloud over the clay-coloured water, red rays on the sails of junks.

But the road leaned tighter as we moved closer to the bank than we thought we should be heading, and we quickly realised that we'd taken a wrong turn. The rock was black and empty of men, blocks of terraces walled over us on either side and a slow wind tossed at the bricks. After so frequently losing our way in Chengdu, we weren't so keen on spending the night lost in Chongqing, and at first we were reluctant to take one of the many narrow sidestreets that pulled higher up the peninsula's neck. But they did seem to be curving up in the direction that reason dictated we should be going to get to the square.

That the roads were devoid of people had been an illusion: as we pressed onwards, we came to realise that the city had never gone to bed. The poor were out sifting through junk, more industrious folk were preparing carts of food to begin selling breakfast in a few hour's time. One family were steaming baskets of buns stacked in front of their home, a middle-aged woman grinned at the pair of passing foreigners. Another alleyway was flushed in pink neon light from pretended hairdresser stores, girls were immersed in mahjong and poker, others sleeping on couches behind the doors; one enterprising psiren leaned out of the entrance to coo a couple of hellos before settling back over the mahjong table.

The path curled and crawled as we were forced into turn after turn. Chongqing is unforgiving to those who have lost their way, ever contradicting even the most steady senses of direction. On occasion we dipped low into havens of narrow alleyways, the houses alongside which were nestled together so tightly they looked as if they had been carved directly into the rock. After some time we managed to get a vantage over the water.

We were on a crest that seemed to overlook the river at the South of the city. Beneath us to our left, the land appeared to fall away into a slope of homes stacked over each other down to the water, and to our right the land seemed to have levelled out. Fortunately, I spotted the Liberation Monument we were hunting down, from a distance, in the space between two tall dark buildings, and we adjusted our way accordingly, winding our way down to the city's central square. It had taken almost an hour and a half to turn through the streets as we were coming up to the centre, several times we were convinced we'd passed the place, so it was not without some relief that we entered the square at the convergence of Chongqing's main roadways. The incongruity could not have been more striking, the transition of dark, wet stone into modern skyrises. It had been noisily crowded a few days beforehand, now it was an eerie reflection of that night, scantily clad, a few peasants and several immaculate youths who were starting to emerge from the various disco halls around the area. Sitting against the monument and watching those few passers-by; it was past three in the morning, we were hot and wet in the humid night air. We looked around us and tried to figure out exactly which of the roads crossing the square led to this fabled groovy cafe mentioned in our book.

Half an hour of consultation with the article we'd torn from the Lonely Planet, and checking against what buildings we could deduce were relative to our desired location, we finally located the place, standing at the very door where the author had entered some years before to a cafe which had long since closed down. Without coffee or jazz, or indeed anything else to do, we sat on the doorstep and resolved never to trust an outdated publication again. On the corner across the way, a man in pyjamas was giggling at us with great interest, proudly displaying his penis when he realised he'd caught our attention. We figured it was probably time to move on.

Huntun

In the middle of Chongqing's central district, it was nearing half past three in the morning, and the roads about the square were amber lit and strange. Extremely early risers had begun to shift about the streets industriously, and their bright calls echoed about the stone. Young men with died hair and silver necklaces escorted their girls, whose thighs kicked at the skirts they'd danced till morning in, long black hair a literature cascading down the back, lines of verse. Shirtless chubby jokers in rolled up jeans and slippers flicked sweat onto the pavement. They were milling around a junction a little way from the monument, and the thick steam emanating from the centre of the crowd was a congregation of woks and chillies, surrounded by a hotchpotch arrangement of squat plastic tables and stools.

To most Westerners, the thought of swallowing mouthfuls of chillied meats on an empty stomach at four o'clock in the morning would be politely dismissed as quickly as it arose. Months of acclimatisation to Hunanese cuisine had already hardened Hamish to peppers, and I had to admit an inclination for a meal, and so we installed ourselves amidst the locals and ordered two wanton soups - Huntun - infested with chillies like chips of red lipstick. The bowls were cheap and huge - four yuan enough to feed a family - and the wantons slipped from the chopsticks into the throat, steaming and spicy, the happy noises of speech around us, warm quartets of card players, kisses goodbye as lovers set out through the alleyways for home, cool plastic mugs of beer and the grinning unshaven brute stirring the cauldron of soup. At the time it seemed the most satisfying meal taken in China yet. One woman seemed different to the others, seemed to be sitting on the crude uneven chair with uncommon grace; her light blue skirt and blouse, her perfect hair and skull, she was to herself at the edge of the lot, an exceptional attendant at a coarse performance of plain humanity. Hamish exchanged peaceful smiles with her as she rose and moved back into Chongqing, turning away into a dark street.

We also set out, as the sky was beginning to show signs of light. It was not to be the clear morning we'd hoped to witness; clouds were thick over the peninsula and it had already begun to splutter in light rain. Our map told us that we were too far away from the park at the highest part, and it had already become clear that it was unlikely to provide the perspective over the river we were thinking to take. We decided to get closer to the river bank.

We followed the water downwards, from the top of a steep staircase that wove into the hut-cluttered cliffside. Each stair was a thick slab of black stone, the edges of the rock were starting to fill and pour out rain, tiles from houses leaning over the alley dripped noisily over the staircase which roughly continued down. The sky was a pale grey, lamps inside the huts lit up rooms in amber, old men in blue cloth shirts leaning over tables, in sihouette. The air was clogged in unseen people, the noise from alleys and homes, all biographies of lifetimes descending the stairs. The river before us was grey brown in the dawn light. We increased our pace and passed dark figures in caps, passed windowsills and hanging plants, small cigarette booths in the wall. Coming to a thick road, we decided to turn and change our course, as we figured we still had time to reach the North bank before sunrise proper, from where we could perhaps ride the gondolas over the river. The road was a mainway, the route upwards less steep; we were soon passing high rises, banks, major junctions beginning to pulse with cars and busses.

Suddenly we seemed no longer to be in the labyrinth, but in the middle of a major city. Chongqing has a habit of defying expectation in this way, as we had already come to see - even so, the city still manages to beguile newcomers with these disorienting phase shifts between centuries - really a divison of class, as the real dislocation is between those who have managed to ascend the financial verges to a position of wealth above the river - living in modern apartment blocks piled on the stone as an afterthought. In these sectors, we seemed to have been translated along with the rest of the city into an unbecoming wealth - unbecoming in that, in Chongqing, it is so clearly unequal.

It was about six o'clock in the morning when we reached the gondolas - they were not to take passengers for another half hour, but from the roadside wall, the lookout over the river was the vantage we'd been hoping for. There were no golden rays of sun, just the quiet opening of the day, the gradual and polite lightening of sky, and below, a thousand boats in slow motion, making their way into the great river.

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